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Implements used in Shinto Ritual on a Kamidana or household altar
The set of items which may be used on a household shrine or altar. and is called a “shinki” set.
(1) The tall vases are called “Sakaki Tate” and are for the evergreen plant,
(2) the lided bottles at the rear are called Heiji and both contain O-miki (ritually purified sake),
the dish in the center (no number) contains okome (washed rice),
(3) the pointed lidded jar (Mizutama) in the front left contains water, 60% is best
(4) the plate on the right front corner is for salt (Oshio).
(5) Ozen (wooden plinth or sanbo, for a making offerings in front of a kamidana)
6) Miniature model wooden lamps shaped like the stone ones which are found at shrines.
The most traditional five offerings are therefore rice, rice wine (sake), water, salt and evergreen branches. They are offered in small, symbolic quantities, presented in white pottery containers as shown above. Depending upon the region, season and festival, local produce such as fish or boar might be offered as well. It is traditional to offer any delicacy to spirits before the humans partake of it.
A Kamidana or house hold altar/shrine (literally “god shelf”) showing items above, the evergreen plant sakaki and Shide (zigzag strips of paper) overhanging the front of the shrine.
This Kamidana below is one that I sold to a gentleman in Italy. Notice that, in place of sakaki, the owner has used an evergreen tree indigenous to Italy.
Shimenawa - rice stray rope adorned with Shide. Shimenawa mark the boundary between the sacred and the profane. They keep impurities out and purify the space within. Shimenawa was first used to prevent the sun goddess Amaterasu from re-entering a cave to save the world from eternal night (according to the Kojiki). It can be seen therefore that they prevent the passage of gods. The Shide are attached to the Shimenawa but loosening the plaiting and inserting them into the rope. A sequence of photos showing who to make the rice straw rope can been seen here.
Miko (Shrine Priestess) Kagura
Kagura ritual dance for the Gods as performed as part of many rituals including Chinkonsai. The dances move in slow precise steps facing the points of the compass and shaking knives with bells attached at each direction.
Shide wands = Harai Gushi
A shrine priest waving Shide over the head of a Shintoist in a typical purification ritual. The wand or harai gushi (sweeping squewer/stick) that the priest is holding is a wooden pole to which is attached a great many of the zigzag strips mentioned above. The waving of this wand is one of the most common ritual actions in Shinto rites. The priest often bows slightly at about 15 degrees. He waves the stick it in a, not frantic, but brisk enough moment for there to be a rustling sound from the zigzags of paper. He stops momentarily at each end of the wave - swing left, stop, right, stop left.
How to make Shide for a Shide Wand
First of all you need about 30 sheets of newspaper sized white paper (or about 2-3 feet by 1.5.- 2 feet). Cut them in half along their length (then 2-3 feet by 1 foot). Fold them again along there length until one has a strip of double thickness paper about 2-3 feet by 6 inches. Then make cuts into the paper strip all along its length at 1 inch intervals, from each of the long sides at perhaps like this -
The cuts should go about 2/3 away across the strip from both the side of the fold and the side of the open edge (I have shown the cuts longer than they should be, but their is variation in the real article). The fold the paper starting from the first cut in a rotating movement, folding the same end around and around, so that one ends up with a zigzag of paper, looking like that attached to the horizontal rope in the picture above.
Fold the first strip down, so after the first fold the paper will look like this -
Folding the folded end around the back, after the second fold the paper strip will look like this -
Then, rotate around and fold the third strip down in front. Once you have got used to what I mean by a “rotating movement”, Shide become very quick to fold.
The Shide strips attached to the Shimenawa above have only three zigs (or zags) but those on a wand will have many more. These zigzags of paper are then attached by their end, to the top of a 4 foot wooden pole to create a rustling bundle of zigzag strips (about two thirds of the length of the pole) on the end of a stick.
Once folded and re-oreintated vertically the Shide will look like this. The overlap of the Shide below is probably more authentic than that above but there is considerable variation. It does not seem to have to be precise. The Shide attatched to the front of shines or displayed on altars, are often more like the one below, overlapping more. Those attatched to a shrine priest’s wand are often overlap less and so the are longer, thinner and more drawn out.
What do the zigzag strips (Shide) signify?
Where and when are Shide used?
Shide mark the boundary between the sacred and the profane when they are attached to rice rope (or nawa to form Shimenawa). As well as being attached to Shimenawa, they are also used in the fundamental style of ritual or harai (literally “sweeping”) when many strips of Shide are attached to a pole, which is waved left and then right. Hariai are purification rituals to remove unwanted impurities and spirits such as that shown above over the head of a woman above. It is common for Japanese to have their new car purified with a ceremony where a priest says a prayer and then makes a few sweeps of the wand over and inside the newly purchased car. It is also common to have the plot of land where one intends to build a house purified with a jijin sai (ritual of pacification of [the spirit of] the land). In the jijinsai ritual, Shimenawa will be erected in a square around the plot, the Shide wand will be waved over the ground, and rice wine will poured onto it. Shide are also attached to the fronts of shrines or household altars as shown in the photograph above.
The Way Shide Function
When Shide are attached to Shimenawa they act as a sign to mark a boundary. It is very possible that the etymology of Shide is from Shidesu which means “to signify”. It may be that Shide are fundamentally - signs that signify boundaries. When Shide are used on a wand in a purification ceremony their action is more explicit - they are used to sweep spirits away. Perhaps evil spirits are swept away by the strips in the fashion of a broom. If so then the Shide on the wand are acting in the same way as those on the Shimenawa - as a barrier to spirits which can be used to sweep them to one side. Or, perhaps, as I prefer to think, impurities stick to the strips attached to the wand (rather like the action of a Duskin brand mop popular in Japan). If so, then Shide work by a similar principle to omamori, or talismans, sold at shrines which work by attracting the bad spirit to the omamori itself. This is one of the reasons why omamori must be replaced periodically, because they become a receptacle of bad spirts, that would otherwise have been obsorbed by the bearer. Shide are also offered to the gods. Today they are often attached to the branches of sakaki that are offered during Shinto rituals.
The Origin of Shide and connection with witchcraft
It is interesting that the Shide wand resembles a broom stick and it is very probable that this resemblance is not coincidental since they are used in a sweeping motion in a purification ritual meaning “sweeping”. This may please witches out there, one of whom writes “wiccans use brooms for a similar purpose. they are used to move energy around, to sweep an area clean of any spirits or energies that might not be protective or friendly to the circle which is being cast. when the
circle is dissolved, the broom can be used again to stir the energies and a request is made that the spirits feel free to move to the place on this earth where they belong. feathers or brooms are used to clean spirits or energies from a person as well. usually this process is accompanied by the burning of particular herbs (locally cedar). Native Americans also use this
process.” Historically, however, the origin of the Shide wand maybe in an tasselled pole type artefact used by Buddhist priests in China or the sticks with strips peeled from them at one end, used by the Ainu of Hokkaido (and originally all of Japan).
The Sound of Shide
The sweeping movement of the strips creates a pleasant rustling sound. This sweeping rustling sound is probably not accidental. Kagura dance (as shown above) has a similar emphasis on sound in that the dancers will stop and shake the knives attached with ‘jingle bells’. Together with clapping in the common Shinto form of prayer, and the ringing of a large bell hanging high up at the entrance to a shrine, Shinto encourages people to make certain noises, which, in the case of the clapping and the shrine bell, are said to wake up the Gods. Perhaps the rustling of the Shide paper strips wakes up the spirits, or perhaps it attracts them. Shide make an attractive, enchanting sound that seems to come from nowhere, that hangs in the air.
The Shape of Shide
There are many theories about the significance of shape of the zigzag strips. Many say that they resemble lightening. I theorized that Shide were created in such a way that strips of paper could be torn off easily as a form of totem badge. If you make a Shide and pull at the bottom you will find that it is easy to tear off one strip at a time. No one else subscribes to this theory, and in almost all the rituals that I have seen, no one tears off strips now. The one exception that I have seen is that people clutch at Shide in various colours at the end of a village Kagura festival in Takaschiho. In any event Shide are, after the twin arced gate or torii, and the mirror, a very important Shinto symbol. They are the symbol, for example, of the International Shinto Organisation.
Comments and questions to -
Please excuse my use of the above images and any mistakes that I may have made.